murano glass craftmanship

Glossary of Murano glass and mirror craftsmanship



Explore the Glossary of Ongaro & Fuga, your essential guide to the specialized vocabulary used in the traditional craft of Murano glassmaking and mirror fabrication. This glossary provides a detailed look at the terms and techniques that define our renowned Venetian mirrors and glassworks, each steeped in the history and artistry unique to Murano.

Copi

In the detailed artistry of Murano glassmaking, COPI are specialized elements used to seamlessly cover the joints between glass canes. These components are essential in maintaining the aesthetic integrity and smooth finish of complex glass pieces. By concealing the joints, COPI enhance the overall visual continuity and elegance of the design, ensuring that each piece not only looks flawless but also retains structural strength where multiple canes intersect.

The crafting of COPI reflects the meticulous attention to detail that is a hallmark of Murano artisans, demonstrating their commitment to excellence and the integrity of their art. These elements allow for the creation of intricate and cohesive glass artworks, contributing both functional stability and refined beauty to Murano glass creations.

Cana

Refers to rods of clear or colored glass that are a foundational element in Murano glassmaking. These glass canes are essential for creating various designs and textures:

  • RIGADA: Characterized by a wide twist, this style adds dynamic, spiraled textures to glass pieces, enhancing their visual movement and vibrancy.
  • RIGADIN: Features a narrow, fixed twist, perfect for designs that require subtle elegance and detailed patterns.
  • ISSA: Completely smooth with no twist, emphasizing the pure clarity and shine of the glass, ideal for highlighting color and luminosity in artworks.

Each type of CANA plays a crucial role in Murano glass art, offering different aesthetic qualities and structural capabilities to suit various artistic visions.

Fiori

FIORI represents the floral elements made from clear or colored glass in Murano glassmaking. These intricate glass flowers are used to adorn various artworks, adding depth, color, and a touch of nature’s elegance:

  • DOPPI: This design features a classic rose accompanied by a bud positioned above it, creating a charming and dimensional effect that mimics the natural growth patterns of roses.
  • TORSEO: Crafted from white paste with colored stripes, TORSEO elements are always presented in pairs, symbolizing harmony and artistic balance. The contrast between the white paste and the colored stripes offers a striking visual appeal.
  • TAIENTAI: This type represents a rose where each petal edge is finely cut, accompanied by a similarly cut bud above it. The detailed cutting of the petals and bud enhances the texture and intricacy of the flower, making it a standout piece in any glass artwork.

These FIORI variations showcase the diversity and creativity of Murano glassmaking, allowing artisans to express different styles and techniques through the timeless beauty of glass flowers. Each type adds a unique artistic signature to the pieces they adorn, from subtle elegance to complex, detailed expressions.

Fogie

Refers to the leaf-shaped elements crafted from glass in Murano glassmaking. These glass leaves add a naturalistic touch to various artworks, each type differentiated by the shaping of their tips and distinctive markings:

  • A PUNTA: These leaves are characterized by a sharp, pointed tip, lending a delicate and refined look to the design.
  • TONDE: Featuring a rounded tip, these leaves impart a softer, more natural feel to glass compositions.
  • TAIENTAE: With a pointed cut tip, these leaves offer a more stylized and dramatic appearance, enhancing the visual interest of the piece.
  • ISSE: Smooth and unmarked, these leaves are prized for their clean and seamless lines, adding elegance without distraction.
  • SQUARAE: Distinguished by a single mark in the middle, these leaves add a focal point, creating a subtle yet effective visual accent.
  • A SPIN DE PESSE: Resembling a fish-bone, these leaves are intricate and detailed, perfect for adding complex texture to an arrangement.

These variations in FOGIE demonstrate the versatility and artistic range of Murano glass leaf elements, allowing for diverse expressions in both traditional and contemporary glass art pieces. Each type brings its unique flair to the artworks, contributing to the overall aesthetic and thematic depth.

Rosete

Are intricate glass rosettes in Murano glassmaking, available in various sizes such as Ø 4, Ø 5, and Ø 6. These decorative elements are meticulously crafted to add ornamental value and visual interest to various glass artworks, and they come in different finishes and styles:

  • ISSE: These rosettes are smooth and unmarked, showcasing the pure beauty of the glass without any additional detailing. They offer a sleek and elegant look, perfect for designs that emphasize minimalistic elegance.
  • GEOSIA FINA: Characterized by light spotting, these rosettes have a subtle textured appearance that adds depth and a tactile quality to the glass piece. The fine spotting provides a delicate contrast and enhances the visual complexity of the rosette.
  • GEOSIA GROSSA: With strong spotting, these rosettes are bold and distinctly marked, making a more dramatic statement in any artwork. The pronounced spots catch the light differently, creating dynamic shifts in appearance and adding a robust character to the design.
  • IN PASTA: Made from colored and opaque paste rather than clear glass, these rosettes bring a vibrant splash of color and an opaque texture to the design. They stand out for their depth and intensity, offering a striking visual element that contrasts with the translucence typically associated with glass.

Each type of ROSETE allows artisans to tailor their creations to specific aesthetic preferences and design requirements, ensuring that each piece not only serves as a functional component of the larger artwork but also contributes to its overall thematic and visual storytelling.

Rissi

Are essential elements in the crafting of Murano glass mirrors, specifically used to form the external frame that defines and enhances the mirror’s perimeter. These elements come in various styles, each contributing distinctively to the mirror’s aesthetic and structural design:

  • RISSI: These are traditionally marked in the middle, creating a visual focal point that adds intricacy and depth to the mirror’s frame. The mark is often a signature detail that enhances the artistry of the piece.
  • ISSI: In contrast to the standard RISSI, these elements are smooth with no marks in the middle, offering a cleaner, more streamlined look. This style suits modern or minimalist decor, where simplicity and clarity are prioritized.
  • SENSA MORISE: These elements are designed without external pinching, resulting in a sleek and smooth finish along the edges of the frame. This feature contributes to a contemporary and refined appearance, emphasizing the fluidity and purity of the glass.
  • CO ORO: Made of glass with pure gold leaf applied onto it, these RISSI elements exude luxury and opulence. The gold leaf not only adds a rich visual texture but also imparts a regal quality to the mirror, making it a statement piece in any setting.

Each type of RISSI serves a specific purpose, allowing artisans to customize the mirror’s frame according to the desired aesthetic effect and the functional requirements of the design. Whether marked for decorative complexity, smooth for elegance, or adorned with gold for a touch of luxury, these elements play a crucial role in the overall composition of the mirror, ensuring it stands out as a masterpiece of Murano glass artistry.

Broche

Are small, decorative nails with glass heads used in Murano glass craftsmanship to secure mirror elements in place. These nails not only ensure structural integrity but also contribute aesthetically to the mirror’s design.

  • A FRAGOEA: These feature a spotted head, adding texture and a playful touch to the mirror’s design.
  • RIGAE: With a stripy head, these broche enhance the mirror’s aesthetic with their linear appeal, suitable for both traditional and modern styles.

Each type of broche enhances the mirror’s overall artistry, blending functionality with visual appeal in Murano glass creations.

Coeor

Refers to the color techniques used in Murano glassmaking to infuse pieces with vibrant hues and intricate color patterns. These methods are crucial for adding aesthetic value and artistic flair to the glass:

  • IN FOGO: This technique involves adding color directly to the molten glass while it is still in the crucible. The color is melted and mixed with the clear glass base, resulting in a uniformly colored piece that exhibits deep, saturated tones throughout.
  • COE MACE: This method uses clear glass as a base, which is then “stained” by gathering colored glass powder onto its surface. The powder adheres to the hot glass surface and melts, creating unique, sometimes multi-colored effects that can range from subtle to dramatic, depending on the application technique.

These coloring techniques allow artisans to achieve a wide range of visual effects, from solid, consistent hues to intricate, layered colorations, enhancing the expressive potential of Murano glass artworks.

Bizeo

Refers to the “chamfer” process in Murano glassmaking, a technique where the edges of a glass plate are ground down to create a beveled or angled finish. This method enhances both the aesthetic appeal and safety of the glass piece:

  • Chamfering (Bizeo): This process involves grinding down the edges of a glass plate to form a sloped or beveled edge. The chamfer reduces the sharpness of the glass, making it safer to handle and more resistant to chipping. Additionally, the angled edges catch and reflect light in unique ways, adding depth and visual interest to the glass.

Chamfering is not only a practical finishing touch but also a decorative technique that can accentuate the overall design of a glass piece, making it an integral part of Murano glass craftsmanship. This technique exemplifies the careful attention to detail and the blend of functionality with aesthetic refinement characteristic of Murano glass art.

Fio Grezo

Refers to the unpolished edge of a glass plate, a term used in Murano glassmaking to describe the raw, unfinished state of glass edges after they have been cut but before any further finishing processes like polishing or beveling have been applied.

  • Unpolished Edge (Fio Grezo): This term highlights the natural, rough texture of the glass immediately after cutting. Leaving the edges unpolished can be a deliberate stylistic choice to give the piece an organic, rugged appearance, which contrasts with the typically smooth and refined surfaces seen in finished glass artworks.

The Fio Grezo provides an aesthetic that emphasizes the artisanal, handcrafted nature of Murano glass, allowing viewers to appreciate the raw beauty of the material itself. This feature can also be practical, serving as a preliminary stage before further finishing processes are applied, depending on the intended use and design requirements of the glass piece.no glass art.

Fio Lucido

Refers to the polished edge of a glass plate, a common finishing technique in Murano glassmaking that enhances the aesthetic quality and safety of the glass item.

  • Polished Edge (Fio Lucido): This process involves smoothing and refining the edges of the glass after it has been cut, creating a glossy finish that is pleasing to the eye and safe to touch. Polishing the edges not only improves the tactile quality of the glass, making it safer to handle, but also enhances its optical properties, allowing light to reflect beautifully and uniformly from the surface.

The Fio Lucido is essential in giving Murano glass pieces a sophisticated and complete look, emphasizing the clarity and brilliance of the glass. This finishing step is crucial for pieces that require a high level of refinement and elegance, typical of Murano glass artistry, ensuring that each piece not only meets aesthetic standards but also adheres to safety protocols.

Rodea

The engraving wheels used in Murano glassmaking to meticulously carve designs onto glass surfaces. These wheels are made from various materials like diamond, stone, or hardened steel, each suited to different engraving needs and glass types. The selection of a Rodea wheel impacts the precision and depth of the engravings, enabling artisans to craft everything from delicate patterns to bold, intricate motifs. This tool is essential for adding artistic detail and enhancing the uniqueness and value of Murano glass artworks.s.

Argentà

The silver-plating techniques used in Murano glassmaking to enhance the aesthetic appeal of glass and mirrors:

  • IN BIANCO: Normal silver-plating that provides a bright, reflective finish ideal for classic mirrors.
  • A VECIO: A distressing process that gives the silver an aged look, mimicking natural tarnishing over time for a vintage effect.
  • A PIOMBO: Involves a lead-based silver solution that results in a unique dark purplish hue, adding a dramatic and luxurious touch to the glass.

These techniques showcase the versatility of Murano craftsmanship, allowing for a range of finishes from contemporary to traditional styles.